These portraits are monumental in scale and low in resolution. Up close, the surface is coiled glass thread, looping, random but regular. Step back and a face assembles from density alone.

Each portrait is deliberate and materially emergent. I control the composition; the glass controls the details. The image that emerges couldn't have been drawn.

The work adheres directly to glass windows, becoming part of the surface. From outside, you see the portrait. From inside, you see through it.

The process reflects on parenthood: how seemingly random moments accumulate into something unmistakably specific. Step forward in time and a person comes into view.